Interpreting the New York Mayor's Style Statement: What His Suit Tells Us About Modern Manhood and a Changing Culture.
Growing up in London during the 2000s, I was always surrounded by suits. They adorned City financiers rushing through the Square Mile. They were worn by fathers in Hyde Park, playing with footballs in the evening light. Even school, a cheap grey suit was our mandatory uniform. Traditionally, the suit has served as a uniform of seriousness, signaling power and professionalism—qualities I was told to embrace to become a "adult". However, before lately, my generation seemed to wear them less and less, and they had largely disappeared from my consciousness.
Subsequently came the incoming New York City mayor, Zohran Mamdani. He was sworn in at a closed ceremony wearing a sober black overcoat, crisp white shirt, and a distinctive silk tie. Riding high by an innovative campaign, he captivated the public's imagination like no other recent contender for city hall. But whether he was cheering in a hip-hop club or appearing at a film premiere, one thing remained largely unchanged: he was almost always in a suit. Relaxed in fit, contemporary with soft shoulders, yet traditional, his is a quintessentially middle-class millennial suit—well, as typical as it can be for a generation that rarely chooses to wear one.
"The suit is in this weird position," notes men's fashion writer Derek Guy. "Its decline has been a gradual fade since the end of the second world war," with the real dip coming in the 1990s alongside "the rise of business casual."
"Today it is only worn in the most formal settings: marriages, memorials, and sometimes, legal proceedings," Guy states. "It's sort of like the kimono in Japan," in that it "essentially represents a tradition that has long ceded from everyday use." Numerous politicians "wear a suit to say: 'I am a politician, you can have faith in me. You should support me. I have authority.'" But while the suit has historically conveyed this, today it performs authority in the attempt of gaining public confidence. As Guy elaborates: "Since we're also living in a democratic society, politicians want to seem approachable, because they're trying to get your votes." In many ways, a suit is just a subtle form of drag, in that it enacts manliness, authority and even proximity to power.
Guy's words stayed with me. On the rare occasions I need a suit—for a wedding or black-tie event—I dust off the one I bought from a Tokyo retailer a few years ago. When I first picked it up, it made me feel refined and high-end, but its slim cut now feels passé. I suspect this sensation will be only too recognizable for numerous people in the global community whose families originate in other places, especially global south countries.
Unsurprisingly, the everyday suit has fallen out of fashion. Similar to a pair of jeans, a suit's shape goes through trends; a specific cut can therefore characterize an era—and feel rapidly outdated. Take now: looser-fitting suits, echoing a famous cinematic Armani in *American Gigolo*, might be in vogue, but given the cost, it can feel like a considerable investment for something destined to fall out of fashion within five years. Yet the appeal, at least in some quarters, persists: in the past year, major retailers report tailoring sales increasing more than 20% as customers "shift from the suit being daily attire towards an appetite to invest in something exceptional."
The Politics of a Accessible Suit
Mamdani's preferred suit is from a contemporary brand, a Dutch label that retails in a moderate price bracket. "He is precisely a product of his background," says Guy. "In his thirties, he's not poor but not exceptionally wealthy." Therefore, his moderately-priced suit will resonate with the demographic most likely to support him: people in their thirties and forties, college graduates earning professional incomes, often frustrated by the cost of housing. It's exactly the kind of suit they might wear themselves. Affordable but not extravagant, Mamdani's suits arguably don't contradict his stated policies—which include a capping rents, constructing affordable homes, and free public buses.
"You could never imagine a former president wearing Suitsupply; he's a luxury Italian suit person," observes Guy. "He's extremely wealthy and grew up in that property development world. A power suit fits seamlessly with that elite, just as more accessible brands fit well with Mamdani's constituency."
The legacy of suits in politics is extensive and rich: from a well-known leader's "controversial" beige attire to other national figures and their suspiciously impeccable, tailored appearance. Like a certain UK leader learned, the suit doesn't just dress the politician; it has the power to define them.
Performance of Normality and A Shield
Maybe the key is what one scholar refers to the "enactment of ordinariness", invoking the suit's long career as a standard attire of political power. Mamdani's specific selection taps into a studied modesty, not too casual nor too flashy—"respectability politics" in an inconspicuous suit—to help him connect with as many voters as possible. However, some think Mamdani would be aware of the suit's military and colonial legacy: "This attire isn't neutral; historians have long noted that its contemporary origins lie in imperial administration." Some also view it as a form of defensive shield: "It is argued that if you're a person of color, you aren't going to get taken as seriously in these traditional institutions." The suit becomes a way of signaling legitimacy, particularly to those who might question it.
This kind of sartorial "code-switching" is not a recent phenomenon. Even iconic figures once wore three-piece suits during their formative years. These days, other world leaders have started swapping their typical military wear for a black suit, albeit one lacking the tie.
"Throughout the fabric of Mamdani's image, the tension between insider and outsider is apparent."
The attire Mamdani chooses is highly symbolic. "Being the son of immigrants of Indian descent and a progressive politician, he is under pressure to conform to what many American voters expect as a sign of leadership," says one expert, while at the same time needing to walk a tightrope by "avoiding the appearance of an establishment figure betraying his distinctive roots and values."
Yet there is an sharp awareness of the double standards applied to who wears suits and what is read into it. "That may come in part from Mamdani being a younger leader, skilled to adopt different personas to fit the occasion, but it may also be part of his diverse background, where adapting between cultures, traditions and attire is typical," commentators note. "Some individuals can remain unremarked," but when others "seek to gain the authority that suits represent," they must carefully negotiate the codes associated with them.
Throughout the presentation of Mamdani's public persona, the dynamic between somewhere and nowhere, insider and outsider, is evident. I know well the discomfort of trying to fit into something not built for me, be it an inherited tradition, the society I was born into, or even a suit. What Mamdani's style decisions make clear, however, is that in politics, appearance is never neutral.