Dania: Her Album Listless – Intimate Experimental Pop Inspired by Medical Late-Night Work

Besides crafting evocative digital pieces, this Iraqi-born, Barcelona-based musician Dania also works overnight duties as an emergency doctor. Those nocturnal hours are the influence behind her new release Listless: all 7 songs were composed and produced in the early hours, and the artwork showcases the spindly flower of the Japanese snake gourd, a plant that only blooms at night. But, you won't find much of the chaos of her late-night schedule here: rather, the record exudes a quiet peacefulness that is sometimes euphoric, occasionally eerie.

Dania: Her Album Listless

Converging at a point between downtempo, ethereal rock and atmospheric, and a hint of pop, the layered tracks glide hypnotically, propelled by waves of synths and, for the first time, drums. A new addition to the artist's typical arrangement, these drums add a soft slow-paced kick to several of the tracks. The shuffling, hazy rhythm in Personal Assistant recalls the 1990s-era groups Scala and another, whereas the song Car Crash Premonition is the closest things come to intense. Composed after an disturbing taxi journey to her workspace one night, it is both brooding and woozy, fit for a film montage.

Additional tracks, including one titled I Know That and Write My Name, are more reminiscent of Dania’s previous work: stripped back and formless. The final song, A Hunger, possesses a subaquatic quality, with bubbling and pinging sounds that sound like medical monitors, blended with distorted voicemail-like singing.

Dania’s soft, whispering vocal is featured across nearly the whole of the album. Its words are almost imperceptible as her voice are suspended, repeated, layered, sometimes barely there entirely. Having been raised in a home where vocal expression was frowned upon, she’s said it’s something she has consistently considered private about. Yet this is additionally an brilliant decision, augmenting the surreal haze on this gorgeous, personal record.

Also Out This Month

Bitchin Bajas draw four songs out to almost 40 minutes on Inland See. Throughout these extended compositions (featuring an epic 18-minute closer), the Windy City group deliver a further masterclass in lush, meandering simplicity, with chugging loops and bubbly improvisational flourishes. For the last decade, Timedance (the label of UK-based artist Batu) has served as a foundation for low-end focused experimental electronic beats. Their release TD10 marks that anniversary with twenty-three weighty, unconventional club cuts for all times of the evening, with input from heavyweight artists like re:ni, Skee Mask, a third and the founder himself. Motivated in part by personal encounters of fear of open spaces and fear of enclosed spaces, Fobia (by Other People), the new album by from Argentina musician Aylu, is suitably intimate, sometimes stiflingly thus. Proximity captures of strained breaths, gulps and vocalizations build out into intriguing but often beautiful compositions.

Andrew Dudley
Andrew Dudley

A passionate travel writer and food enthusiast, sharing personal experiences and expert advice on Italian adventures.